Since the 1990s critics and curators have broadly accepted the notion that participatory art is the ultimate political art that by encouraging an audience to take part an artist can promote new emancipatory social relations. Artificial hells calls for a less prescriptive approach to art and politics and for more compelling troubling and bolder forms of participatory art and criticism reviews. Claire bishop is associate professor in the history of art department at the cuny graduate center new york she is the author of installation art a critical history artificial hells participatory art and the politics of spectatorship and editor of participation in 2008 she co curated the exhibition double agent at the ica
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